• <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> FIRE OF LONDON. A True Pourtraict with a Brief Description Of that Deplorable Fire of London.<br>US$ 6,000 - 8,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MATHER, INCREASE. A Brief History of the Warr With the Indians in New-England. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> SALEM WITCH TRIALS. Manuscript Document variously signed. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> REVERE, PAUL. The Bloody Massacre perpetrated in King-Street Boston. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DRURY, JOTHAM. PLANNING THE BOSTON TEA PARTY. Autograph Document Signed. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> LEXINGTON AND CONCORD. Bloody Butchery by the British Troops. US$ 25,000 - 35,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> DECLARATION OF INDEPENDENCE. The New-England Chronicle. US$ 50,000 - 70,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CORINTH, MISSISSIPPI IN 1862. Albumen print photograph. US$ 1,000 - 1,500.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> EMANCIPATION PROCLAMATION. By the President of the United States. US$ 15,000 - 20,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [EDISON, THOMAS ALVA. 1847-1931.] Engraved $1 Bill, Endorsed and Signed by Charles L. Clarke on face. US$ 8,000 - 12,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> BASEBALL. Boston Union Athletic Exhibition Company Grounds. US$ 15,000 - 25,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> CASSIDY, BUTCH. Carte-de-visite police photograph.<br>US$ 20,000 - 30,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> [BUFFALO BILL.] <i>The Great Train Hold-Up & Bandit Hunters of the Union Pacific</i>. US$ 3,000 - 5,000.
    <b>Bonhams 7 Apr 2014, Eric Caren Archive:</b> MCCLELLAND, GEORGE WILLIAM. Eniac-Birth Certificate of Computer Age. 1880-1955. Typed Letter Signed. US$ 6,000 - 8,000.
  • <b>Sotheby's New York: </b>F. Scott Fitzgerald. The Great Gatsby. New York: Charles Scribner's Sons, 1925.First edition, first issue in a near fine jacket.
    <b>Sotheby's New York: </b>Ernest Hemingway. The Sun Also Rises. New York: Charles Scribner's Sons, 1926. First edition, first issue.
    <b>Sotheby's New York: </b>Jack Kerouac. On the Road. New York: Viking, 1957. First edition, presentation copy.
    <b>Sotheby's New York: </b>JRR Tolkien. The Hobbit. London: George Allen & Unwin, Ltd., 1937. First edition, fine copy in jacket.
    <b>Sotheby's New York: </b>Vladimir Nabokov. Lolita. Paris: the Olympia Press, 1955. First edition presentation copy inscribed on the half-title.
    <b>Sotheby's New York: </b>Tennessee Williams. A Streetcar Named Desire. Norfolk, CT: New Directions, 1947. Inscribed by Tennesee Williams and Director Elia Kazan with additional inscriptions or signatures by all the cast members.
    <b>Sotheby's New York: </b>T.S. Eliot. The Waste Land. Richmond, Surrey: Printed and published by Leonard and Virignia Woolf, 1923. First English edition, nscribed to Eliot’s patroness Lady Mary Lilian Rothermere.
    <b>Sotheby's New York: </b>Ernest Hemingway. Three Stories and Ten Poems. Paris: Contact Publishing Co., 1923. A mint first edition presentation copy of Hemingway’s landmark first book.
    <b>Sotheby's New York, 1 April 2014: </b> A Modern Library: The Gordon Waldorf Collection.
    <b>Sotheby's New York: </b>William Faulkner. Light in August. New York: Harrison Smith & Robert Haas, 1932. First edition inscribed to Myrtle Ramey.
    <b>Sotheby's New York: </b>James Joyce. Ulysses. Paris: Shakespeare & Co, 1922. First edition, one of 150 press-numbered copies on vergé d’Arches.
    <b>Sotheby's New York: </b>F. Scott Fitzgerald. This Side of Paradise. New York: Charles Scribner's Sons, 1920. First edition with jacket in fine condition.
    <b>Sotheby's New York: </b>Dashiell Hammett. The Thin Man. New York: Alfred A. Knopf, MCMXXXIV. First American edition. A presentation copy inscribed.
    <b>Sotheby's New York: </b>Raymond Chandler. Farewell, My Lovely. New York: Knopf, 1940. First edition presentation copy, being a copy that Chandler originally retained, inscribed on the front endpaper.
    <b>Sotheby's New York: </b>J.D. Salinger. The Catcher in the Rye. Boston: Little, Brown, & Co., 1951. First edition.
    <b>Sotheby's New York: </b>Anthony Burgess. A Clockwork Orange. London: Heinemann, 1962. First edition and a rare presentation copy inscribed by the author.
  • <b>Sotheby's Paris:</b> MONTESQUIEU Refflexions sur le caractere de quelques Princes. [1734]. 68 autograph pages.<br>Estimate €150,000-200,000
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. (VERSAILLES) 12 SEPTEMBRE 1789. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LOUIS XVI Autograph letter to Gabrielle de Polignac. PARIS, 9 FÉVRIER 1790.<br>Estimate €15,000-20,000.
    <b>Sotheby's Paris:</b> SCHEDEL, Hartmann. Liber chronicarum. July 1493. Richly annotated by a French humanist.<br>Estimate €20,000-30,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> GAUGUIN, Paul. The first known letter to his wife Mette. 1883. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> MAURRAS, Charles. Letter to general Franco. 30 août 1935. And 5 first editions inscribed to Anatole France, Ramon Fernandez...<br>Estimate €8,000-12,000.
    <b>Sotheby's Paris:</b> PROUST. Placard for A l’ombre des jeunes filles en fleurs, with a long autograph passage, remained unpublished.<br>Estimate €30,000-40,000.
    <b>Sotheby's Paris: Livres et Manuscrits, 26 NOVEMBER 2013.</b>
    <b>Sotheby's Paris:</b> [PROUST] – André GIDE. The draft for the famous letter from Gide to Proust repenting about his refusal to publish him. 10 or 11 January 1914. Estimate €100,000-150,000.
    <b>Sotheby's Paris:</b> DELAUNAY, Sonia. 3 drawings for La Prose du Transsibérien’s prospectus. 1913. Estimate €20,000-30,000.
    <b>Sotheby's Paris:</b> CELINE. Voyage au bout de la nuit. 1932. André Breton’s copy with an inscription by Céline. Estimate €10,000-15,000.
    <b>Sotheby's Paris:</b> LINDBERGH, Charles. Photographic portrait, inscribed to Antoine de Saint-Exupéry. 1939. €2,500-3,500.
  • <b>19th Century Shop</b>. 30th anniversary catalogue of landmark rare books, autographs and manuscripts, and historical photographs of all ages.
    <b>19th Century Shop</b>. <i>The Federalist</i> (1788). An important association copy in original boards, untrimmed.
    <b>19th Century Shop</b>. Isaac Newton. <i>Philosophiae Naturalis Principia Mathematica</i> (1687).
    <b>19th Century Shop</b>. Important Age of Discovery manuscript (1512) with Christopher Columbus content.
    <b>19th Century Shop</b>. Alexander Gardner photograph portrait (1863), signed by Abraham Lincoln.
    <b>19th Century Shop</b>. John Rockefeller. Ambrotype, the earliest known photograph of Rockefeller.

AE Monthly

Reviews - September - 2013 Issue

Fine and Unusual Bindings from John Windle Antiquarian Bookseller

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Fine and unusual bindings.

John Windle Antiquarian Bookseller has issued Occasional List Four: Fine and Unusual Bindings. For those who believe the old adage you can't judge a book by its cover, these are the exceptions. Some of these books really shouldn't be judged by any other criteria. They are meant to be works of art, appreciated for the visual rather than textual appeal. The text may be interesting, but that is hardly the point. They were not meant to be reading copies, not even in the beginning. For those who collect surface beauty, here are 35 books that will catch your eye.

 

Here is a binding that is both fine and unusual, wrapped around a book that is also unusual. Item 3 is the Arion Press 1980 edition of Flatland. A Romance of Many Directions, by Edwin Abbott, first published in 1886. This edition includes an introduction by science fiction writer Ray Bradbury, who has also signed the book, as has Arion publisher Andrew Hoyem. It is one of a limited edition of 275 copies. The book itself is an odd story about different dimensional worlds. Flatland is a two dimensional world (hence its being flat). Males in Flatland are polygons, while women are limited to being straight lines. This can be dangerous, as when a woman approaches a male, she comes straight on as a point, and can impale and kill the male. Hence, they must enter their homes through separate doors. Some of these two-dimensional creatures come to meet up with inhabitants of a one-dimensional world, and then a three-dimensional one such as ours. They cannot cope with the differences and so speaking of these other worlds becomes a crime. Abbott uses the book to speculate about worlds with more than three dimensions, which some see as something of a precursor to Einstein. He also uses the book for social satire about relationships. This Arion edition plays up the flat world by presenting the book as 56 accordion-style folded panels, which when opened lay out flat, 33 feet long. It is bound in an aluminum cover with an aluminum frame, hinged and clasped. Priced at $3,000.

 

This was already a notable edition even before being bound in white vellum stamped in gilt with silk ties. It is Charles Dickens' A Christmas Carol, the 1915 edition illustrated by Arthur Rackham. It is one of only two Dickens books Rackham illustrated. It contains 11 color and 20 black and white illustrations. This is the Deluxe limited edition (500 copies) signed by Rackham. “Surely the best of all illustrated versions,” notes Windle. Item 11. $6,500.

 

There is something unusual, or perhaps ironic about the fine bindings on this 1940 Limited Editions Club book. It is half green morocco with decorated boards and a gilt backstrip with floral decorations using red morocco inlays. The book features lithographs by the artist Thomas Hart Benton. What is perhaps ironic is the title chosen for this treatment – John Steinbeck's The Grapes of Wrath. It is the story of dirt poor Oklahoma farmers driven to California during the height of the Dust Bowl and Depression, barely making enough money to survive, an odd choice for such a rich presentation. Item 31. $795.

 

For those who would like to do a lot of reading, or to have a lot of attractive books on the shelf, item 33 is a set of the complete Delphin Varirum Classics. These are works from antiquity edited and put in a set of 166 volumes by A.J. Volpy, published from 1819-1830. Each volume is in matching vellum bindings with gilt borders and backstrips. You will unquestionably impress your friends with a set like this on your shelves, especially if you can quote from them. $17,500.

 

From 166 books we turn to the other extreme. Item 24 is a single book, and a miniature at that. It is the London Almanack for the year of Christ 1790. Published in 1789, it contains 24 pages, and measures a demure 2.25” x 1.25”. It features full red morocco covers with blue and white morocco inlays with wavy gilt lines. And, it all fits on the cover. Item 24. $1,750.

 

We conclude with one odder piece for a fine binding. Item 1 is a bound edition of the full run of Horseshit. The Offensive Review. It was published from 1965-1970, but four issues comprises the entire run. It was an anti-war, anti-establishment sort of publication as one might expect from this era, with a touch of what was, at least at the time, considered pornography. It is an odd choice for a fine binding, but obviously the owner of these masterpieces published by brothers Bob and Tom Dunker had a sense of humor (along with money). They had it bound by Arthur Johnson, who would have enjoyed the task, having a sense of humor himself. The binding has an American flag motif, an erotic image with wavy red and pale stripes and white stars on a blue background. The binding is signed “AJ” in 1973. Item 1. $7,500.

 

John Windle Antiquarian Bookseller may be reached at 415-986-5826. The website is www.johnwindle.com

AE Monthly


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